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来国龙

一、基本信息

浙江萧山(现属杭州市)人,佛罗里达大学艺术史系副教授(终身职)。

Email:guolong.lai@gmail.com

二、学术头衔

佛罗里达大学艺术史系副教授(终身职),《浙江大学艺术与考古研究》副主编,香港《饶宗颐国学院院刊》编委及副主编,Chinese Studies in History编委。

三、教育背景

1995-2002 美国加州大学洛杉矶分校艺术史博士(导师:罗泰Lothar von Falkenhausen

1991-1994北京大学考古系古文字学、商周考古硕士(导师:高明、李零)

1987-1991吉林大学法学院国际法系学士

四、工作经历

2004-至今美国佛罗里达大学艺术史系助理教授、副教授(終身職)

2002-2004美国哥伦比亚大学博士后;哥伦比亚大学艺术与考古学系讲师

2001-2002美国国立史密森研究院(Smithsonian Institution)博士前奖学金,佛利尔艺术博物馆及赛克乐博

物馆

2000-2001卡尔顿学院(Carleton College),福利曼基金考古学访问讲师(Freeman Foundation Visiting

Lecture in Archaeology),社会学及考古学系

1999-2000美国盖蒂文物保护研究所(Getty Conservation Institute)实习研究生,《中国文物古迹保护准

则》美中澳合作项目成员

1994-1995中国历史博物馆陈列部研究人员

五、研究领域

中国早期艺术史,青铜时代考古学,古文字与上古音,出土简帛研究,文化遗产研究,考古学史,文物收藏史,博物馆学史等

六、科研活动

1、代表性著作

(1) Excavating the Afterlife: The Archaeology of Early Chinese Religion(幽冥之旅:楚地宗教的考古學研究).Seattle: University of Washington Press (March 2015). Included in the Mellon Foundation’s Art History Publication Initiative Series, andwon SAA (Society for American Archaeology) Honorable Mention-Book Award in the Scholarly Category, 2016.

(2) 主编,《中国早期数术、艺术与文化交流:李零先生七秩华诞庆寿论文集》,浙江大学出版社(进行中)。

(3) 合编,《新语文学与早期中国研究》,上海人民出版社,即出。

(4) 合编,《浙江大学艺术与考古研究》第1-3(20142018).

(5) 合编,Unmasking Ideology in Imperial and Colonial Archaeology(揭开帝国与殖民考古中意识形态的面纱)(UCLA: Cotsen Institute of Archaeology Press, 2018)

(6) 主编,Chinese Studies in History50.3 (2017)专辑Manuscript Culture in Early China(早期中国的写本文化)

(7) 合编,《高明先生九秩華誕慶壽論文集》,科學出版社,2016年。

(8) 合编,Collectors, Collections, and Collecting Arts of China: Histories and Challenges(西方中国艺术收藏的历史与挑战). Gainesville, FL: The University Press of Florida, 2014.

(9) 合著,Terracotta Warriors: The First Emperor & His Legacy(千秋帝业:兵马俑与秦文化),Exhibition catalogue,Asian Civilizations Museum, Singapore, 2011.

(10) 合著,A Bronze Menagerie: Mat Weights of Early China(中国早期的席镇),Exhibition catalogue,Isabella Stewart Gardner Museum, Boston, Massachusetts, distributed by University of PittsburghPress, 2006.

(11) Assistant in the translation and review ofPrinciples for the Conservation of Heritage Sites in China, Los Angles: The Getty Conservation Institute, 2002, 2004 (also available on the web:http://www.getty.edu/conservation/publications/pdf_publications/china_prin_2english.pdf

2、代表性论文

(1) 《通假字、新語文學與出土戰國秦漢簡帛的研究》,收入《新語文學與早期中國研究》,上海人民出版社,即出。

(2) “Early Chinese Screens in Archaeological Context.” In Ping Foong andChelsea Foxwell (eds).The Screen in East Asia.Center for the Arts of East Asia, University of Chicago, 2018, pp. 1-18.

(3) “Digging up China: Imperialism, Nationalism, and Regionalism in the Yinxu Excavation, 1928-1937.” In Bonnie Effros and Guolong Lai eds.Unmasking Ideology: The Vocabulary and Symbols of Colonial Archeology.UCLA: Cotsen Institute of Archaeology Press,2018, pp. 83-119.

(4) 《從楚簡中兔和鼠字的混淆談古楚語與雅⾔的接觸和影響》,收入程少軒、朴慧莉編,《第一屆古文字與上古音工作坊論文集》,復旦大學出版社,2017年,页179-192

(5) “Genealogical Statements on Ritual Bronzes of the Spring and Autumn Period.” In Edward Shaughnessyed., Imprints of Kinship: Studies of Recently Discovered Bronze Inscriptions from Ancient China. Hong Kong: The Chinese University of Hong Kong Press, 2016, pp. 235-259.

(6) 《馬王堆<喪服圖>續考》,收入《高明先生九秩華誕慶壽論文集》,科學出版社,2016年,页262-274

(7) 字補釋:兼論通假字韻部通轉的謬誤和聯綿詞從容的來源與本義》,《饒宗頤國學院院刊》, 3(2016):17-45.

(8) “The Emergence of ‘Cultural Heritage’ in Modern China: A Historical and Legal Perspective.” In Akira Matsuda and Luisa Mengoni (eds).Reconsidering Cultural Heritage in East Asia. London: Ubiquity Press, 2016pp. 47-85.

(9) “Color and Color Symbolism in Early Chinese Ritual Art: Red and Black and the Formation of the Five Colors System.” In Mary M. Dusenbury ed.,Color in Ancient and Medieval East Asia. Yale University Press in association with Spencer Museum of Art, University of Kansas, 2015, pp. 25-43.

(10) 《馬王堆太一祝圖考》,《浙江大學藝術與考古研究》,1(2014): 1-27.

(11) 《釋謹與慎》(安徽大學何琳儀先生紀念會論文集)《漢語言文字研究》,1(2014): 156-172.

(12) 《漢晉之間劾鬼術的嬗變與鬼神畫的源流》“Demonography and the Changing Visual Culture During the Han and Jin Periods” (in Chinese). In Yen Chuan-ying and Shih Shou-chien, eds.,Transformation in Chinese Art During the Han-Chin and Tang-Song Periods. Taipei: Rock Publishing International, April 2014, pp. 63-93.

(13) 《釋逨與逑,兼談古文字中的拼音字“Deciphering the Graphs ‘Lai’ and ‘Qiu’with an Excursion on Fanqie-spelling in Early Chinese” (in Chinese).The Bulletin of the Jao Tsung-I Academy of Sinology(Hong Kong), No. 1 (2014), pp. 171-195.

(14) 《清華簡<楚居>所見楚國的公族與世系》“The Genealogies and Lineages of the States of Chu as Seen in the Chu ju Manuscript” (in Chinese). In Chen Zhi ed.,Jianbo, jingdian and gushi(Manuscripts, Classics, and Ancient History).Shanghai: Shanghai guji chubanshe, August 2013, pp.159-164.

(15) 《逝者的再現、無形的參列:戰國秦漢墓葬中人像觀念的轉變》“The Presence of the Invisible: Changing Attitude towards the Human Figures during the Warring States and Qin-Han Transition” (in Chinese). In Wu Hung, Lao Zhu, and Zheng Yan eds.,Studies on Ancient Tomb Art, vol. 2 (August 2013), pp. 19-54. Changsha: Human meishu chubanshe.

(16) “A Liao-Dynasty Votive Mirror in the Cotsen Collection.” In Lothar von Falkenhausen ed.,The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors,Volume II, Los Angeles: Cotsen Occasional Press, UCLA Cotsen Institute of Archaeology Press, 2011, pp. 184-197.

(17) 《釋楚簡中的儥、䢱、覿:兼及古文字學和古音學的相關問題》“An Explanation of the Graphs Yu, Du and Di in Chu Bamboo Manuscripts with an Excursion on the Related Issues in Paleography and Historical Linguistics(in Chinese),Journal of Chinese Linguistics(Hong Kong) 39.1 (2011): 403-418.

(18) 《論楚卜筮祭禱簡中的與禱:兼說楚簡中的冊告和甲骨卜辭中的冊祭“On the Pledge-Sacrifice in Chu Divinatory and Sacrificial Records” (in Chinese),Jianbo(Journal for the Study of Bamboo and Silk Manuscripts), 6 (2011): 359-378.

(19) <柬大王泊旱>的敘事結構與1宗教背景:兼釋殺祭“Rereading ‘Jian dawang bohan’: Narrative Structure and Ideological Background,” (in Chinese),Proceedings for the Second International Forum for the Study of Chinese Excavated Texts, National Taiwan University, Taipei, Taiwan, 2011, pp. 443-474.

(20) “The Terracotta Warriors: The Invention of an Icon,” in exhibition catalogueTerracotta Warriors: The First Emperor & His Legacy, Asian Civilizations Museum, Singapore, 2011, pp. 23-43.

(21) <凡物流形>新研》“Rereading ‘All ThingsFlow into the Form,’an excavated Warring States Chu text from the Shanghai Museum collection” (in Chinese), The Center for the Study of Bamboo and Silk Manuscripts at Wuhan University, June 7, 2010 (http://www.bsm.org.cn/show_article.php?id=1263).

(22) 《戰國秦漢冥界之旅新探:以墓葬文書、隨葬行器及出行禮儀為中心》(a Chinese translation and revised version of Lai2005Asia Majorarticle),Renwen luncong, edited by Yang Hua of Wuhan University, Zhongguo shehuikexue chubanshe, 2010, 151-186.

(23) 《帝國與宗教:古代中國與古羅馬帝國的比較研究》“Religion and Empire in Early China and Ancient Rome: A Comparative Perspective” (in Chinese),Sinologie française/Faguo Hanxue, 14 (2009), 196-218.

(24) 《說”“:兼談古文字考釋中的通假字問題》“On the Relationship between Two Chinese Graphs ‘Sha’ and ‘San’ with an Excursion on the Principles of Graphic Loan” (in Chinese),Jianbo4 (2009), 315-331.

(25) “The Tale of Two Tureens: Connoisseurship, Taste and Authenticity,”Orientations,39.8 (2008), 64-71.

(26) 《避諱字與出土秦漢簡帛的研究》“Imperial Taboo Characters and the Study of Excavated Manuscripts” (in Chinese),Jianbo yanjiu2006, edited by Bu Xianqun and Yang Zhenhong. Guilin: Guangxi shifan daxue chubanshe 2008, 126-133.

(27) 《論戰國秦漢寫本文化中文本的固定與流動》“Textual Fluidity and Fixity in the Manuscript Culture of Early China” (in Chinese),Jianbovol. 2 (2007), 515-527.

(28) 《文字起源中的語言學眼光和漢字起源的考古學研究》“Linguistic Bias and Archaeological Study of the Origins of Chinese Writing” (in Chinese),Kaoguxue yanjiu6 (2006) (Festschrift in Honor of Professor Gao Ming of Beijing University), 53-78.

(29) “The Transformation of Space in Early Chinese Burials,” inA Bronze Menagerie: Mat Weights of Early Chinacatalog of the exhibition at the Isabella Stewart Gardner Museum, Boston, Massachusetts (distributed by University of Pittsburg Press, 2006), pp. 34-49.

(30) “Death, Travel, and Otherworldly Journey in Early China as Seen Through Tomb Texts, Travel Paraphernalia, and Road Rituals,”Asia Major18.1 (2005), 1-44.

(31) “Cultural Identities and the Politics of Orientalism,”inArchitectural Imitations: Reproductions and Pastiches in East and West, edited by Wim Denslagen and Niels Gutschow (Maastricht: Shaker Publishing, 2005), pp. 231-259.

(32) “Valuing the Past in China: the Seminal Influence of Liang Sicheng on Heritage Conservation.” (co-authored withMartha Demas and Neville Agnew of the Getty Conservation Institute).Orientations35.2 (March 2004): 82-89.

(33) “The Diagram of the Mourning System from Mawangdui.”Early China28 (2003): 43-99.

(34) “Lighting the Way in the Afterlife: Bronze Lamps in Warring States Period Tombs."Orientations33.4 (2002): 20-28.

(35) “The Sources of the Soga-Tori Style of Asuka Japan and the Regional Styles of Early Buddhist Art in the Far East.”Journal of Asian Culture18 (1995-96): 67-90.

3、科研获奖

获美国国家史密森学院(Smithsonian Institution)博士前研究奖学金(2001-2002),梅隆博士后奖学金(2002-2004),斯坦福大学东亚研究中心博士后研究奖学金(2005-2006),美国学术团体联合会(ACLS)鲁斯基金奖学金(2010-2011

Excavating the Afterlife: The Archaeology of Early ChineseReligion2015;《幽冥之旅:楚地宗教的考古学研究》),获美国考古学会2016年最佳学术著作提名奖